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The ‘blue economy’ is changing how we see the ocean. But with opportunity comes risk

By Antony Funell
ABC Australia
2019.Oct.11

 

Dutch marine architect Koen Olthuis has floated a novel idea. He wants to make the Olympics more affordable by staging them on water.

He predicts that would bring down the enormous infrastructure costs involved in staging the Games and allow poorer countries to bid for them.

The Olympics, he believes, needs to take on a bluer, not just a greener, tinge.

“You do it on water and you say, ‘We will build some floating stadiums and floating hotels and you can lease these structures for your city. And you use them and pay for their use for three or four months,’” Mr Olthuis says.

“Then they move to another city. It becomes much more logical.”

His vision might seem fanciful until you realise that the world’s largest ocean liner, Symphony of the Seas, already accommodates just under 7,000 passengers, and its length is the equivalent of almost four football fields.

So, engineering a floating hotel or stadium clearly isn’t a problem.

“In Rotterdam, in the Netherlands, we’ve already been active in designing these kinds of structures,” Mr Olthuis says.

“It’s more where do you place them, what kind of water you have, is it deep enough, what kind of flow is there, what kind of extreme weather you can expect.”

BECOMING LESS DEFENSIVE ABOUT THE OCEANS

The ocean-going Olympics is, for the moment, a thought experiment.

But it reflects a changing attitude among architects, engineers and urban designers.

“With improved technology we’ve found so many more ways that we can build into the sea,” says environmental scientist Katherine Dafforn.

That reassessment, she says, is being driven by the twin factors of climate change and urban congestion.

“We can’t easily remove those drivers, those stressors, so we do need to find a solution. And the oceans do offer some opportunities to find more space to house our population,” she explains.

Mr Olthuis believes the experience of the Netherlands can serve as an example of best practice.

The Dutch have traditionally viewed the sea as the enemy, he says, as a force to be conquered, but that’s now quickly changing.

“We live in a country where we shouldn’t live — it’s all beneath sea level. And now with climate change and a higher sea level we see it’s more difficult to keep our country dry,” Mr Olthuis says.

“So, we’re rethinking that and saying, maybe in some parts of Holland we should just let water come in and then start building on top of the water.

“WE SEE WATER AS AN OPPORTUNITY.”

A BOOM IN OFFSHORE ACTIVITY

The Queensland University of Technology’s Brydon Wang says that attitudinal change is beginning to transform our near coastal environments, with a wide range of vital urban infrastructure now being located offshore, especially energy-related facilities.

The Hywind floating wind farm is a prime example. It commenced operation 24 kilometres off the coast of Scotland in 2017. Its five massive turbines are 250 metres tall and are tethered to the ocean floor using giant chains.

They’re purpose built for resilience — to work with nature, not against it.

Hywind is one of around 50 floating wind farms currently planned or under construction in Europe.

Late last year it proved its long-term viability by continuing to generate power during hurricane-like conditions.

Mr Wang says the “natural moat-like environment of the sea” offers protection to such facilities. And the fact that they float provides maximum flexibility.

“For example, if you put a desalination plant in the ocean, you might have a situation where there is drought in a particular city and you can float that desalination plant to where it is needed,” he says.

That philosophy also appears to underpin the controversial development of Russia’s first floating nuclear power station.

It took more than 10 years to construct and began its maiden voyage in August.

Its role, according to Russian authorities, will be to service remote mining operations in isolated areas above the Arctic circle.

But this new focus on the oceans isn’t just about energy production or population expansion.

Mr Wang believes that by taking a “floating cities” approach, town planners can also enhance the cultural life of urban areas.

“One of the main problems with the way our coastal urbanisation has occurred is that we’ve got very flat and linear cities that are compressed against the coastlines, and that actually doesn’t make for very vibrant cities,” he says.

“If you look at Korea and Singapore they are starting to put immense cultural facilities in the water.

“Singapore has its massive floating stage that sits right in the marina. We’ve got a lot of cultural and exhibition spaces in Seoul that are floating in the nearby water bodies.”

FROM URBAN CONGESTION TO MARINE SPRAWL

Another way in which governments are choosing to deal with the twin difficulties of climate change and congested coastal cities is by “reclaiming” land from the sea.

Katherine Dafforn’s research, conducted with colleagues in Singapore, Italy and the US, suggests 450 artificial islands have been created in recent years to meet a whole range of needs — from military applications to tourism to airport construction.

Dr Dafforn also notes vast areas of the coastal marine environment have been walled off and filled in, with estimates that up to 25 per cent of Singapore is built on reclaimed land. For Tokyo it’s 20 per cent.

But China, she says, has been the most expansive.

“They’ve reclaimed extensive stretches of their inter-tidal zone. Around 13,000 square kilometres of their intertidal mudflats have been lost due to land reclamation,” Dr Dafforn says.

“I think that there is definitely a shift and more countries are actually investing money in doing it, even places like Monaco, places like the Maldives, all have their own plans for artificial islands.”

MORE STORIES FROM FUTURE TENSE:

But that trend, warns Dr Dafforn, risks creating “marine urban sprawl” every bit as damaging as its onshore equivalent.

“It needs to happen with some more sustainable ideas in mind,” she adds.

“The technology for building artificial islands has grown at the same time ecological understanding of the impacts and how to manage them has grown.”

She points to the Pacific where several artificial islands and structures have been created over coral reefs, resulting in enormous ecological harm.

“So, if we can put ecologists and engineers together at the beginning, when construction is first being planned and designed, then I think we have a lot of opportunities to build these artificial islands in a much more ecologically sustainable way,” she says.

Mr Olthuis believes architects and engineers need to embrace a double-sided approach to their design: thinking not just about what they build above the water, but also below it.

“For every project that we do we first have to do an environmental impact assessment. We measure the condition of the ecosystem before we do anything,” he says.

“We work with what we call blue habitats, these are structures that we connect to the underside of our buildings or our floating parks or whatever we do on water.

“And they have an effect on the water life — a habitat for fish, for green life under the structures.”

THE ‘BLUE ECONOMY’ — ENLIGHTENED OR EXPLOITATIVE?

The growth in interest in marine architecture and offshore engineering is now being described by the United Nations and others international organisations as the emerging “blue economy”.

An exact definition for what that term encompasses is hard to come by.

Even some of its proponents agree it’s a nebulous phrase which is being used to embrace everything from sustainable aquaculture to ocean-floor mining.

Darren Cundy from the newly-created Blue Economy Cooperative Research Centre in Tasmania believes the label should only be used for activities with a sustainable edge.

His $329 million project is researching the development of a giant floating fish farm. One that can also generate enough electricity to be self-sufficient.

“What really is clear is that the blue economy is challenging us to realise that the sustainable management of ocean resources is going to require a collaboration across borders and across sectors through a whole range of partnerships on a scale that really we haven’t seen before,” Mr Cundy says.

“The oceans are a vast resource and there are different perspectives on how the economic value of that might be tackled.”

But Fauna and Flora International’s Daniel Steadman worries about the veracity of an approach that tries to marry the seemingly contradictory aims of promoting environmental responsibility while increasing opportunities for exploitation.

“WHAT I FIND PROBLEMATIC IS THAT THE WORLD DOESN’T NECESSARILY WORK LIKE THAT,” HE SAYS.

“If you take rare earth metals from the ocean claiming that it’s because you’ll take less from the land, and then both the new extraction in the ocean starts up and the old extraction on the land continues, you’ve perpetuated a problem, probably created a new one, and not solved anything.

“Similarly, if you farm fish to reduce the need to catch them in the ocean, but then the fish in your farm need to eat fish from the ocean, you’ve created this sort of negative feedback loop of interdependencies where neither people nor the ocean are improving.”

The one thing that is certain is that as the world’s population increases exponentially — and as food, resources and space become a premium — more and more interest will be directed toward ocean resources, for better or worse.

 

Click here for the source website

click here for the pdf

Oceania – The ‘blue economy’ is changing how we see the ocean. But with opportunity comes risk

By Central da Pauta
2019.Oct.11

 

Dutch marine architect Koen Olthuis has floated a novel idea. He wants to make the Olympics more affordable by staging them on water.

He predicts that would bring down the enormous infrastructure costs involved in staging the Games and allow poorer countries to bid for them.

The Olympics, he believes, needs to take on a bluer, not just a greener, tinge.

“You do it on water and you say, ‘We will build some floating stadiums and floating hotels and you can lease these structures for your city. And you use them and pay for their use for three or four months,’” Mr Olthuis says.

“Then they move to another city. It becomes much more logical.”

His vision might seem fanciful until you realise that the world’s largest ocean liner, Symphony of the Seas, already accommodates just under 7,000 passengers, and its length is the equivalent of almost four football fields.

So, engineering a floating hotel or stadium clearly isn’t a problem.

“In Rotterdam, in the Netherlands, we’ve already been active in designing these kinds of structures,” Mr Olthuis says.

“It’s more where do you place them, what kind of water you have, is it deep enough, what kind of flow is there, what kind of extreme weather you can expect.”

BECOMING LESS DEFENSIVE ABOUT THE OCEANS

The ocean-going Olympics is, for the moment, a thought experiment.

But it reflects a changing attitude among architects, engineers and urban designers.

“With improved technology we’ve found so many more ways that we can build into the sea,” says environmental scientist Katherine Dafforn.

That reassessment, she says, is being driven by the twin factors of climate change and urban congestion.

“We can’t easily remove those drivers, those stressors, so we do need to find a solution. And the oceans do offer some opportunities to find more space to house our population,” she explains.

Mr Olthuis believes the experience of the Netherlands can serve as an example of best practice.

The Dutch have traditionally viewed the sea as the enemy, he says, as a force to be conquered, but that’s now quickly changing.

“We live in a country where we shouldn’t live — it’s all beneath sea level. And now with climate change and a higher sea level we see it’s more difficult to keep our country dry,” Mr Olthuis says.

“So, we’re rethinking that and saying, maybe in some parts of Holland we should just let water come in and then start building on top of the water.

“WE SEE WATER AS AN OPPORTUNITY.”

A BOOM IN OFFSHORE ACTIVITY

The Queensland University of Technology’s Brydon Wang says that attitudinal change is beginning to transform our near coastal environments, with a wide range of vital urban infrastructure now being located offshore, especially energy-related facilities.

The Hywind floating wind farm is a prime example. It commenced operation 24 kilometres off the coast of Scotland in 2017. Its five massive turbines are 250 metres tall and are tethered to the ocean floor using giant chains.

They’re purpose built for resilience — to work with nature, not against it.

Hywind is one of around 50 floating wind farms currently planned or under construction in Europe.

Late last year it proved its long-term viability by continuing to generate power during hurricane-like conditions.

Mr Wang says the “natural moat-like environment of the sea” offers protection to such facilities. And the fact that they float provides maximum flexibility.

“For example, if you put a desalination plant in the ocean, you might have a situation where there is drought in a particular city and you can float that desalination plant to where it is needed,” he says.

That philosophy also appears to underpin the controversial development of Russia’s first floating nuclear power station.

It took more than 10 years to construct and began its maiden voyage in August.

Its role, according to Russian authorities, will be to service remote mining operations in isolated areas above the Arctic circle.

But this new focus on the oceans isn’t just about energy production or population expansion.

Mr Wang believes that by taking a “floating cities” approach, town planners can also enhance the cultural life of urban areas.

“One of the main problems with the way our coastal urbanisation has occurred is that we’ve got very flat and linear cities that are compressed against the coastlines, and that actually doesn’t make for very vibrant cities,” he says.

“If you look at Korea and Singapore they are starting to put immense cultural facilities in the water.

“Singapore has its massive floating stage that sits right in the marina. We’ve got a lot of cultural and exhibition spaces in Seoul that are floating in the nearby water bodies.”

FROM URBAN CONGESTION TO MARINE SPRAWL

Another way in which governments are choosing to deal with the twin difficulties of climate change and congested coastal cities is by “reclaiming” land from the sea.

Katherine Dafforn’s research, conducted with colleagues in Singapore, Italy and the US, suggests 450 artificial islands have been created in recent years to meet a whole range of needs — from military applications to tourism to airport construction.

Dr Dafforn also notes vast areas of the coastal marine environment have been walled off and filled in, with estimates that up to 25 per cent of Singapore is built on reclaimed land. For Tokyo it’s 20 per cent.

But China, she says, has been the most expansive.

“They’ve reclaimed extensive stretches of their inter-tidal zone. Around 13,000 square kilometres of their intertidal mudflats have been lost due to land reclamation,” Dr Dafforn says.

“I think that there is definitely a shift and more countries are actually investing money in doing it, even places like Monaco, places like the Maldives, all have their own plans for artificial islands.”

MORE STORIES FROM FUTURE TENSE:

But that trend, warns Dr Dafforn, risks creating “marine urban sprawl” every bit as damaging as its onshore equivalent.

“It needs to happen with some more sustainable ideas in mind,” she adds.

“The technology for building artificial islands has grown at the same time ecological understanding of the impacts and how to manage them has grown.”

She points to the Pacific where several artificial islands and structures have been created over coral reefs, resulting in enormous ecological harm.

“So, if we can put ecologists and engineers together at the beginning, when construction is first being planned and designed, then I think we have a lot of opportunities to build these artificial islands in a much more ecologically sustainable way,” she says.

Mr Olthuis believes architects and engineers need to embrace a double-sided approach to their design: thinking not just about what they build above the water, but also below it.

“For every project that we do we first have to do an environmental impact assessment. We measure the condition of the ecosystem before we do anything,” he says.

“We work with what we call blue habitats, these are structures that we connect to the underside of our buildings or our floating parks or whatever we do on water.

“And they have an effect on the water life — a habitat for fish, for green life under the structures.”

THE ‘BLUE ECONOMY’ — ENLIGHTENED OR EXPLOITATIVE?

The growth in interest in marine architecture and offshore engineering is now being described by the United Nations and others international organisations as the emerging “blue economy”.

An exact definition for what that term encompasses is hard to come by.

Even some of its proponents agree it’s a nebulous phrase which is being used to embrace everything from sustainable aquaculture to ocean-floor mining.

Darren Cundy from the newly-created Blue Economy Cooperative Research Centre in Tasmania believes the label should only be used for activities with a sustainable edge.

His $329 million project is researching the development of a giant floating fish farm. One that can also generate enough electricity to be self-sufficient.

“What really is clear is that the blue economy is challenging us to realise that the sustainable management of ocean resources is going to require a collaboration across borders and across sectors through a whole range of partnerships on a scale that really we haven’t seen before,” Mr Cundy says.

“The oceans are a vast resource and there are different perspectives on how the economic value of that might be tackled.”

But Fauna and Flora International’s Daniel Steadman worries about the veracity of an approach that tries to marry the seemingly contradictory aims of promoting environmental responsibility while increasing opportunities for exploitation.

“WHAT I FIND PROBLEMATIC IS THAT THE WORLD DOESN’T NECESSARILY WORK LIKE THAT,” HE SAYS.

“If you take rare earth metals from the ocean claiming that it’s because you’ll take less from the land, and then both the new extraction in the ocean starts up and the old extraction on the land continues, you’ve perpetuated a problem, probably created a new one, and not solved anything.

“Similarly, if you farm fish to reduce the need to catch them in the ocean, but then the fish in your farm need to eat fish from the ocean, you’ve created this sort of negative feedback loop of interdependencies where neither people nor the ocean are improving.”

The one thing that is certain is that as the world’s population increases exponentially — and as food, resources and space become a premium — more and more interest will be directed toward ocean resources, for better or worse.

Click here for source website

Click here for the pdf

Parthenon Seawall Concept – The Under Energy Harvester

By Sarang Sheth
Yanko Design
Nexpected
2019.March.12

Neither have we discovered Atlantis nor has the Parthenon sunk yet! This is the Parthenon Seawall, a structure designed by Waterstudio led by Netherlands based Architect Koen Olthius, inspired by classical Greek architecture.

Designed to resemble the iconic temple of Athena, the Parthenon Seawall was created to harness tidal energy, turning water current into usable current (get it?)! It employs the familiar stacked pyramid structure with each pyramid being made to house three turbines (that rotate in alternate directions). The flow of water turns the turbines, and the energy generated is stored in its upper concrete platform.

It’s alternate rotating pattern also helps it do something rather important. The Parthenon Seawall can also break currents, preventing large waves and tides from damaging coastlines. The alternate rotations disrupt the water flow, becoming a protective barrier against damage caused to vulnerable coastlines, harbors, or riverbanks.

 

The Parthenon Seawall can be placed along coastlines to not only protect them but also harness energy in the process. Its upper surface can be used as a riverfront too, creating a space for greenery, and even human recreation! Ticks all the boxes, doesn’t it?!

Click here for the source website

Click here for the pdf

Citadel, una urbanización flotante / Koen Olthuis y Waterstudio

By arq.com.mx
2019.Sept.21

A lo largo de los últimos años, los arquitectos han experimentado con soluciones poco convencionales, Koen Olthuis del despacho Water Studio es uno de ellos.

El trabajo de este arquitecto de origen holandés, por una parte, está orientado a la búsqueda de soluciones bioclimáticas y por otra, a los espacios arquitectónicos flotantes.

Citadel es uno de sus proyectos más recientes, que igual que los anteriores, destaca por sus innovadora y atrevida propuesta. El proyecto, que se ubicará en la ciudad holandesa de Westland, plantea una urbanización sobre el agua, que antes que luchar con el agua -que para los holandeses, año con año, resulta problemática- la aprovecha como una plataforma de desplante.

Este conjunto habitacional se localizará en la zona de New Water, un lugar que durante años fue desecado artificialmente y que ahora se va a llenar de nuevo con agua.

El proyecto, que será el primer conjunto de departamentos flotantes de toda Europa, estará conformado por 60 lujosas unidades habitacionales, compuestas por 180 piezas modulares dispuestas alrededor de un patio central.

La plataforma de soporte del conjunto consiste en un cajón de concreto de estructura ligera para que no se sienta ningún movimiento.

Click here for the source website

Click here for the pdf

Could you live in a floating neighbourhood?

By Better World Solutions

Koen Olthuis is the founder of the Dutch architectural firm Dutch Docklands, that specializes in floating structures to counter concerns and impact of floods due to climate change and rising sea levels.

Climate change and rising river/coast levels: forget houseboats, try floating communities. The newest trend in real estate: building a home on top the water.

 

Floating communities

During his UP presentation — A Sustainable Future on the Waterfront — Koen shared his vision for literally building entire communities — and cities — that float! He studied architecture and industrial design at the Delft University of Technology, and has a patent on the methodology for producing a “floating base.”

Olthuis

In 2007, Koen was listed as one of “the most influential people in the world” in a readers’ poll by TIME magazine due to the worldwide interest in water developments. The French magazine Terra Eco chose him as one of the “100 green persons that will change the world” in 2011.

Do you want more information or get inspired from different floating city concepts, check the sidebar on the right.

Click here for the source website

Click here for the pdf

Diez casas flotantes con una arquitectura y diseno únicos

By Cynthia Martin
Architectural Digest
2019.Sept.21

Una casa flotante no tiene por qué ser un sucedáneo de un barco. En los últimos años la arquitectura está apostando por integrar también sus diseños más arriesgados sobre estas construcciones acuáticas. Enumeramos diez tesoros repartidos por el mundo.

Se puede hablar de casas flotantes en general, pero el auge de este sector hace reflexionar sobre cómo está naciendo una auténtica arquitectura de este tipo de vivienda. Cada vez son más firmas las que se alejan del concepto básico de barco a la hora de diseñar un hogar sobre el medio acuático. En una tendencia cada vez más en auge, seleccionamos diez obras de arte únicas en el mundo.

1. Un pueblo flotante
Giancarlo Zemas Design Group creó Waternest 100 (arriba, en la foto de apertura) el pasado 2015, una casa flotante ecológica para EcoFloLife, un cliente cuyo sueño era crear un pequeño pueblo flotante. El lugar se llama Waternest Village, y está en Londres. Alló descansan cinco casas fijas conectadas a tierra por una pasarela y que buscan ser ejemplo de sostenibilidad y de aprovechamiento del medio.

Son 100 metros cuadrados construidos con madera laminada reciclada para las paredes, 60 metros cuadrados de paneles fotovoltaicos en el techo y un casco de aluminio, también reciclado. Con 12 m. de diámetro y 4 m. de altura cuenta con balcones convenientemente ubicados a los lados para disfrutar de las vistas a través de sus amplios ventanales. Varios tragaluces atraviesan el techo de madera de este espacio que incluye sala de estar, comedor, dormitorio, cocina y baño.

El uso de materiales y sistemas de producción sostenibles hacen que esta casa flotante sea reciclable hasta en un 98%. Además, gracias a un sofisticado sistema de microventilación natural interna y aire acondicionado, se clasifica como un hábitat residencial de bajo consumo. WaterNest 100 es la solución ideal para quienes desean vivir de forma independiente, exclusiva y en completa armonía con la naturaleza. Se puede atracar junto a la orilla de ríos, lagos, bahías, atolones y áreas marinas con aguas tranquilas.

2. Una casa con motor
A pesar de su diseño similar a un barco, esta casa merece especial atención porque es una vivienda prefabricada que cuenta con un motor que permite al propietario dormir amarrado o en movimiento a través de aguas tranquilas. Con una velocidad máxima de 6 km/hora, Floatwing está pensada para afrontar las cuatro estaciones, pues puede soportar hasta olas de un metro de altura.

Su diseño modular permite escoger el tamaño y la distribución de la planta de una forma completamente personalizada. A partir de un módulo básico que cuenta con cocina americana y una parte superior descubierta a modo solárium, se puede crear una casa de hasta tres habitaciones con bodega y terraza incluidas de hasta 18 metros de largo o cuatro pisos de altura, según se sumen módulos de forma horizontal o vertical. Se necesitan cuatro meses para finalizar el pedido y enviarlo en contenedores a la dirección indicada. De hecho, cuando el proyecto debutó el pasado 2016 la firma portuguesa de ingeniería y diseño náutico Friday declaró que ya habían realizado pedidos a Zanzíbar, China, Canadá, Finlandia y Holanda.

Basándose en la sostenibilidad, y en caso de querer perderse por el mundo, Floatwing cuenta con paneles fotovoltaicos y una estación de tratamiento de aguas que permite la autosuficiencia de la casa durante una semana. Las paredes externas de la casa son una mezcla de vidrio y barras de acero de forma transversal bañadas por amplias cristaleras que permiten disfrutar de vistas 360 grados. Sin embargo, existe la opción de recubrir las paredes interiores que separan los módulos con madera, ofreciendo un aislamiento natural que reduce el coste energético.

3. Una casa con sistema de estabilización
Esta villa flotante de lujo impulsada por energía eléctrica que puede fondear ha llegado a Miami. Con un coste de casi cinco millones de euros y un revolucionario sistema para hacerla estable, es la primera unidad piloto creada por la firma Arkup.

El proyecto presenta una villa de dos alturas y 405 metros cuadrados (195 de ellos exteriores) con interiores de diseño, que navega con un motor eléctrico alimentado por energía solar para desplazarse por la costa (o el lago, o el río, o el puerto) y la primera con un sistema de estabilización importado de las plataformas petrolíferas. Construida sobre una barcaza plana de acero y cuatro zancos hidráulicos independientes que descienden y se anclan al fondo marino garantiza que no haya riesgo de mareo y pueda sobrevivira a huracanes de hasta categoría 4.

4. Construcción de cristal
Esta casa flotante fue diseñada para crear la experiencia única e innovadora de vivir literalmente en el agua. La villa ofrece un estilo de vida lujoso pensado para sentirse en contacto pleno con la naturaleza. Grandes ventanas deslizantes maximizan las vistas y permiten que el paisaje se mezcle con el interior gracias a sus muros cortina de vidrio que van del suelo al techo y dan la sensación de sentirse en medio de la nada. Con un diseño elegante y minimalista en su interior, la madera comparte protagonismo con el cristal.

Diseñada por el arquitecto Dymitr MalcewFloating House ofrece hermosas vistas sin obstáculos, una conexión con el entorno a través del uso de materiales naturales y una manera fácil de moverse de un lugar a otro. La casa ha sido crada para H2ORIZON, un desarrollador francés que se especializa en estructuras flotantes como ésta, la impresionante vivienda está construida sobre una plataforma flotante que puede moverse por aguas tranquilas y cuenta con todo lo necesario para vivir: dos dormitorios, dos baños, una sala de estar, cocina y terraza totalmente cubierta.

5. Una casa huevo
Es este un proyecto basado en la creación de conciencia sobre la importancia de preservar los ecosistemas. El artista Stephen Turner, que se especializa en exploraciones a largo plazo de entornos ambientales, trabajó durante el 2014 con los diseñadores del estudio PAD para crear el huevo, un proyecto que utilizó como ‘residencia’, flotando en el estuario de Beaulieu (Reino Unido) durante un año, para examinar los patrones cambiantes de su ecología marina y reflejar el entorno en obras de arte.

Construido como una estructura revestida de cedro recuperado y moldeado en frío de aproximadamente 6 metros de largo y 2,8 metros de diámetro, su interior –recubierto de costillas similares a las de los tradicionales barcos– acoge todo lo necesario como si se tratase de un pequeño apartamento.

6. Modernismo donde nació todo: Países Bajos
No se puede hablar de casas flotantes sin hacer mención del país pionero: Holanda. En Ámsterdam se encuentra Watervilla Weesperzidje de +31 ArchitectsWatervilla Weesperzidje está situada en la ribera del río, es esta una casa de diseño contemporáneo que además cuenta con la planta baja completamente sumergida bajo del agua. Mientras, el piso de arriba se encuentra al nivel e incluye una terraza flotante que se extiende a lo largo de la casa.

A pesar de su imponente fachada de cristal recorriendo toda la parte superior, no se puede menospreciar el interior de la villa. Suelos de color gris claro fusionan visualmente los diferentes espacios, al igual que las grandes puertas correderas de vidrio en la cocina y la sala de estar que permiten entrar la luz y maximizan las vistas del río. Unos escalones flotantes descienden a la parte sumergida, sin ventanas, que alberga dos dormitorios, dos baños y un pequeño salón.

7. Un baño con vistas al mar
Dubái tiene por emblema el lujo. Y por ello es lógico pensar que también iba a seguir esa norma cuando se lanzase al mercado de las casas flotantes. Las villas Floating Seahorse llevan el concepto de casa flotante al siguiente nivel ofreciendo una villa de diseño exquisito de tres plantas y 520 metros cuadrados cuya mayor atracción se encuentra en el piso inferior. Completamente sumergido en el mar, está construido con cristal transparente para disfrutar del fondo marino. Traídas a la vida por Kleindienst Group, las villas forman parte del lujoso complejo Heart of Europe.

La cubierta superior cuenta con un gran solarium con cama de día, ducha exterior, zona de cocina y jacuzzi con fondo de vidrio, que a su vez sirve de tragaluz para la sala de abajo, situada a nivel del mar. Aquí se encuentra una terraza, comedor y otra cocina totalmente equipada. Pero sin duda, el lugar mas impresionante de toda la construcción se encuentra bajo el nivel del mar, donde se ubica el dormitorio y el baño. A través de sus paredes se puede contemplar un arrecife artificial creado para el deleite de los afortunados propietarios que adquieran este hogar y para preservar la fauna marina de los alrededores. Peces exóticos y caballitos de mar serán los perfectos vecinos de esta estancia cuyas ventanas de acrílico y 10 cm. de espesor van del suelo al techo.

8. Al más puro estilo James Bond
Esta suite de hotel que descansa totalmente autónoma en el agua es el sueño hecho realidad del arquitecto francés Jean-Michel Ducancelle, quien con 15 años quedó prendado del clásico de 1977 de James Bond The Spy Who Loved Me. En su madurez plasmó la devoción por esta cinta en este proyecto bautizado como El Anthenea, que se inspira en la ciudadela de la Atlántida en donde el James Bond de Roger Moore se une con la agente Anya Amasova (Barbara Bach) para derrotar al cerebro criminal Karl Stromberg (Curt Jurgens).

Esta versión del siglo XXI, en cuyo proyecto ha estado inmerso el arquitecto durante 15 años, está equipada con cinco paneles solares que alimentan los motores eléctricos y los sistemas mecánicos de este peculiar alojamiento. Compuesto de fibra de vidrio, el Anthenea presenta un fondo de vidrio que sirve como una ventana hacia el paisaje marino. Puede resistir un ciclón y adaptarse a cualquier tipo de agua en cualquier clima. El interior ofrece tres espacios principales: un área de recreación con barra y muebles de salón que miran al mar a través de una ventana subacuática, una cama circular y una bañera. Y aunque no lo parezca, esta casa circular cuenta con un solarium en la azotea 360 grados con espacio hasta para 12 personas.

9. Una oda al mar
Es Portland una ciudad conocida por su vanguardismo. Pero el riesgo no solo se aprecia en sus museos y en sus boutiques, también en la arquitectura. Uno de los mejores ejemplos es esta casa flotante diseñada por el arquitecto Robert Oshatz para el matrimonio de Randy Fennell y Kazuyo Tojo. Ubicada en el lado este del río Willamette, es una verdadera oda al medio en el que descansa: el agua. Est moderna casa de dos pisos, amarrada cerca del puente Sellwood, en Oregon, cuenta con un diseño similar a una ola.

Con pared de vidrio, tejas de cedro y un techo de cobre ondulado que imita las ondas del agua, en su interior, las vigas expuestas agregan una sensación industrial que al combinarlo con la madera gana en calidez. Una cubierta envuelve el alrededor de la casa, permitiendo disfrutar de un patio al aire libre situado en la parte delantera de la casa con vistas al Pacífico Noroeste de EEUU.

El mismo arquitecto responsable explica que “La Residencia Fennell presentó un desafío único ya que el sitio estaba “en” el río Willamette en lugar de “por” el río. El proyecto se centra en la poesía de las ondas y los contornos del río, su flujo interminable, la vista y la interrelación sobre el juego del sol y la luna a medida que avanza durante los días del año. Se usaron vigas laminadas de pegamento curvo para capturar la sensación intemporal del flujo de agua y el paso del tiempo para impregnar el espacio interior y su relación con el río creando un sentido espiritual y poético del espacio”.

10. Una isla privada flotante
El suelo sobre el que se asienta esta casa flotante no es natural. Tanto el paisaje que rodea la vivienda como la propia construcción de extralujo han sido creadas por el hombre. Concretamente es un trabajo del famoso arquitecto holandés Koen Olthuis, de Waterstudio –una de las personas más influyentes por la revista Time–.

Amillarah Private Islands está desarrollando islas privadas de cero. Es por ello que se ha creado tanto la forma como el contenido, esto es, la propia isla verde. Una isla portable que la empresa asegura poder enviar y situar en el destino que el comprador escoja. Con varios lugares en ciernes, de momento ya es una realidad el archipiélago creado en las Maldivas. Un total de 10 islas privadas han surgido en medio de una laguna, cada una de ellas con una villa que incluye playa, piscina y zonas verdes naturales con arbustos y árboles. Sin embargo, si este diseño no es el que se busca, la firma señala que es posible personalizar al gusto la forma, el tamaño y hasta la distribución de la isla al completo a la hora de la compra de esta iniciativa que ya tiene presencia en Miami y Dubái (y donde se quiera comprar).

Cada isla es autosuficiente y ha sido diseñado con tecnología ecológica de última generación para mantener el impacto ambiental al mínimo. Además, es completamente estable en el agua, la base de la isla está construida para durar más de 100 años y creará un nuevo hábitat submarino para la vida marina.

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Waterwoning

By jmdinspireert
2019.Feb.26

Het Nederlandse architectenbureau Waterstudio.nl heeft een waterwoning ontworpen die vast op de klimaatveranderingen inspeelt; de woning kan zich bij een orkaan boven de golven uit drukken. Zo kan de wind er om heen en zelfs onderdoor en slaan golven niet meer tegen de woning. De woning kan tot wel 6 meter uit het water komen is zo een orkaanbestendige watervilla.

Het idee is gehaald uit de Offshoretechniek. Olieplatvormen kunnen zich ook uit de zee omhoog duwen bij storm. Architect Koen Olthuis heeft zijn plannen net toegelicht in Miami, daar ligt deze watervilla dan ook daadwerkelijk. Ook in Miami zijn problemen wanneer het water hoog komt. Evenals Tokyo, New York en Hong Kong.

Goedkoop is deze villa -nog- niet, het heeft een prijskaartje van 5,5 miljoen euro, maar er wordt gewerkt aan meer gangbare varianten. Daarnaast aan drijvende torens en zelf drijvende parken en meer. Zodat steden veel flexibeler kunnen worden. Mooi idee!

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From a Bond-Inspired Pod to a 75-Foot House Yacht, These 7 Unique Homes Bring Luxury to Off-Grid Living

By Rachel Cormack
Robb Report
2019.Sept.11

For the nomads who refuse to be tied down.

If you’re on the lookout for an eye-catching abode that eclipses the humdrum home or would prefer to catch your Zs somewhere focused on sustainability, these unique properties are sure to pique your interest. We’ve wrangled seven of the wackiest residences we could find—including an oceanic lair, a Mars habitat here on earth and an incredible modular treehouse—to inspire your next big-ticket purchase.

The Anthénea

Designed by French naval architect Jean-Michel Duacancelle, the Anthénea is a fully autonomous fiberglass pod complete with a rooftop bar, solarium and expansive glass bottom which affords epic underwater views. Equipped with five solar panels, six powerful batteries with the ability to recharge from the pontoon, plus a generating set that takes over if the level of energy gets too low—the ingenious condo promises true off-the-grid bliss. The Anthénea boasts three separate living areas: an expansive lounge room, a bedroom featuring a circular bed and sizeable tub, and a relaxation area on the rooftop which accommodates 12. Moreover, the interior was designed by French fashion mogul Pierre Cardin and built entirely from eco-friendly materials, making it both sustainable and stylish. The pod is also steeped in cinematic history: It’s based off the deep-sea citadel and laboratory “Atlantis” which belonged to James Bond’s aquatic archrival Karl Stomberg in the 1977 classic The Spy Who Loved Me. There’s currently one pod floating off the coast of France, but if you’re keen to live like a supervillain in your very oceanic lair you can purchase the Anthénea for $480,000.

The Dune House

This brutalist structure on the precipice of Denmark’s coastline is another abode with a blockbuster background: Designed by Studio Viktor Sørless, The Dune House was inspired by Roman Polanski’s thriller The Ghost Writer and just like that 128-minute film expresses a spinetingling potency. The cross-shaped home is touted as a sustainable summer residence that responds to the four cardinal directions—north, south, east and west—utilizing light to create a suitably cinematic atmosphere. The spaces morph and change throughout the day depending on the hour and the degree of sunlight beaming through to the interior. Floor-to-ceiling windows afford uninterrupted views of the Danish seascape and the surrounding undulating hills, while the minimalist interior feels very art-gallery chic. Although the one-off commission is still in construction, it hints to futuristic residences we can expect in the coming years: A Dune House situated on Alaska’s coastline, perhaps?

Tera

This high-tech eco-home is not only designed for off-grid living but off-planet living, too: Known as Tera, the luxurious cylindrical structure mirrors a Mars dwelling here on earth. The two-level cabin, designed by the AI SpaceFactory, will be fashioned from recyclable, biodegradable materials that could theoretically be found on the Red Planet itself: biopolymer basalt composite, which is stronger than concrete and made from recyclable corn and sugar cane waste. Astonishingly, Tera will be 3D printed on-site, proving the versatile nature of the structure; it can be broken down, recycled and printed elsewhere in the galaxy without leaving a trace. The cabin also features greywater recycling in which bath and shower water is used to irrigate the surrounding land. While there are only renderings available at the moment, it appears that the multi-planetary home will be retrofitted with the important creature comforts, including a patio, kitchen, bathroom and sleeping loft, as well as a telescope for stargazing. The flagship Tera will be launched in the woods of upstate New York and is now accepting pre-bookings for March 2020 on indiegogo if you’re seeking an otherworldy overnight stay.

Koda Homes

These ultra-stylish prefab structures, designed by Estonian architecture firm Kodasema, promise “minimalist luxury in a spaciously sustainable house.” There are four different models available: the Koda ConcreteKoda LightKoda Light Extended and Koda Light Float which, as its moniker implies, can comfortably dwell on the seven seas. Though they may be small in square footage, the Koda homes are big on design: The cubes are solar-powered, have sleek finishes—concrete or wood paneling depending on the specific type—chic lofted living areas, well-appointed kitchens and bathrooms, comfortable bedrooms and twee terraces that are shaded by a concrete canopy. There’s even an option to create a rooftop garden or second unit atop Koda’s roof. What’s more, the easily transportable structure can be built one day and installed the next—like the IKEA version of a tiny home—all you need is a plot of land (or water) and you’re good to go. Unfortunately, Koda homes are not yet available in North America, but Kodesema is currently looking for distribution partners and say they’ll be Stateside soon.

The No Footprint House

Designed by A-01, an interdisciplinary bureau for urban and rural development, The No Footprint House is a performative structure that responds to the climate, utilizing natural ventilation and solar shading to create a comfortable and sustainable home. Basically, those expressive wooden panels actually have a purpose: they can move according to the amount of sunlight and regulate the temperature within the dynamic abode. But the eco-friendly touches don’t stop there, the floating structure harvests energy from rooftop solar panels to allow for off-grid nomadic living. The home comes in three different sizes—tiny (100 square feet), mid-size (265 square feet) and family (328 square feet)—and can be transported in one single truck. Everything from the wood used on the façade to the finishes on the walls and floors can be customized for each client. The open-air layout features a combined living and dining area, two bathrooms, two bedrooms and a multifunctional terrace, and each space can be divided either by glass sliders or “curtain walls” to create further flow. The first prototype was developed amid the tropical heat of Costa Rica—where climate control is a necessity—and will now move into serial production.

Arkup Floating Home

At first glance, this monolithic structure may look like any other luxurious waterfront condo—but it’s not just by the water’s edge, it’s actually on it: In fact, what you’re looking at is a 75-foot luxury yacht. Designed by Miami-based firm Arkup, in conjunction with the architects at Waterstudio.NL, the first-of-its kind “liveable yacht” is an eco-friendly, hurricane-resistant vessel which features a comfortable 4,350 square-feet of floor space. Boasting 36 kWh solar panels, stabilizing hydraulic stilts—that can withstand 155-mph winds—a 1,000 kWh battery and a water purification system, it’s entirely self-sustaining. The interior, designed by Artefacto, encompasses four bedrooms with ensuites, a luxury kitchen by Häcker complete with Miele appliances, and open-plan living spaces with floor-to-ceiling stackable impact windows. In addition, there are five terraces and balconies, plus a 125 square-foot swim platform. The best part? The pair of 134 hp electric azimuth thrusters allow owners to cruise at a leisurely 7 knots and stay in local marinas, anchorages or even remote backwaters to really escape. The debut model is currently for sale in Miami for $5.5 million and Arkup says it has three more in the works for 2020. Stay tuned.

Bert

This contemporary riff on the childhood treehouse lets you live amid the forest in luxury. Envisioned by Austrian architecture studio Precht and tiny-homes startup Baumbau, the modular treehouse—known simply as Bert—is designed around a cylindrical trunk and has separate spaces which branch out in different directions, like the trees which it neighbors. The client can customize which modular cells sit where and determine the scale of the structure: Bert can be a multi-bedroom home or a solo hideaway, and has the ability to grow at any time with the addition of more modules. The spare interior features dark fabrics to create a cozy cave-like atmosphere and further highlight the expansive glass windows. Each module comes prefabricated and can be put together easily on-site. The façade can be fashioned from wood with leaf-like expressions to blend into the surroundings or be replaced with steel for an upscale cosmopolitan version. In addition, Bert is entirely self-sustaining with solar panels on the roof for energy, a composting toilet and a water treatment facility on the ground floor. The small-scale Berts starts at $132,000 (€120,000) and are expected to roll out in Spring 2020.

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Arkup: villa galleggiante da 5 milioni di euro che naviga con il sole

By Gian Basilio Nieddu
Vaielettrico
2019.sept.12

Arkup una casa che galleggia, una barca dove si può abitare. Costa 5 milioni di euro, resiste alla condizioni climatiche estreme, gli uragani, ed è il frutto  della matita dello studio di architettura Waterstudio.

Nelle cronache giornalistiche si fa il pieno di storie di persone che vogliono vivere in barca. Uno scenario, seppure soft, da Waterworld. Una soluzione, destinata a pochi e danarosi, è stata concepita da un team di architetti olandesi. La prima unità prodotta è stata ormeggiata a Miami, dove abbondano i milionari.

Classificata come barca da diporto

Barca o casa? Lasciamo parlare il manager Nicolas Derouin, protagonista del progetto con il partner Arnaud Luguet:”È classificata come una barca da diporto, quindi legalmente è una barca, ma è abitabile come una casa“. Il progetto è legato all’esigenza di vivere respirando aria di mare, un sogno che deve fare i conti con il sempre minor spazio costiero disponibile ed il rischio dell’innalzamento delle acque quindi la flessibilità di poter “traslocare”.

Arkup: villa da 405 metri quadri 

La coppia ha poi cercato Koen Olthuis, dello studio Waterstudio, specializzato nel rendere “abitabile l’acqua”. Il frutto è Arkup ovvero la vita a bordo da cinque stelle. Parlano i numeri: una villa di 405 metri quadri (195 esterni) con interni di design.

Motore elettrico alimentato dal sole

Arkup naviga con un motore elettrico alimentato da energia solare. Si può navigare lungo la costa, nel lago  e nel fiume.  “pannelli solari producono l’energia poi immagazzinata nelle batterie al litio. Un trasformatore la converte e fornisce così l’energia per la casa e per la propulsione”. Sul tema i progettisti sottolineano: “Il solare è il futuro delle fonti energetiche e dei trasporti e volevamo che la casa fosse autosufficiente”. E si  raccoglie anche l’acqua piovana.

Arkup costa 5 milioni di euro

I nostri clienti possono vivere in luoghi unici a un prezzo accessibile rispetto a una casa sulla terra. Offriamo un sogno“. Questo è lo storytelling del progetto narrato da Derouin. Il profilo del cliente di Arkup, necessariamente con un buon conto in banca visto che il prezzo parte da 4.850.000 euro, è questo:”Alto potere d’acquisto, preoccupato per le questioni ambientali e alla ricerca di un modo diverso di vivere, in connessione con la natura”.

Ancorata al fondo con 4 trampoli

Interessante la soluzione ingegneristica: “La casa è costruita su una chiatta piatta in acciaio e quattro trampoli idraulici indipendenti ancorati al fondo del mare“. I creatori avvertono che la profondità massima è di 7,62 metri. La misura che garantisce stabilità e “sicurezza in caso di onde, vento, maree”. La barca costruita a Miami – in calcestruzzo nel cantiere RMK Merrill-Stevens – è progettata per resistere ad uragani fino alla categoria 4.

Arkup ha un’autonomia da 4 ore

I pilastri della casa “si ritraggono durante la navigazione“, spiega Derouin, che, a seconda delle condizioni del mare e del tempo, stima l’autonomia della barca in quattro ore. I benefici dell’elettrico li abbiamo sottolineati più volte su Vai Elettrico, li ascoltiamo anche dal CEO di Arkup: “La propulsione elettrica genera zero rumore, vibrazioni, fumo e perdite di carburante. Rispetta la vita marina“.

Da Miami a Cancun 

Impossibile la navigazione in mare aperto, ma con una velocità massima di sette nodi: “Potresti navigare ogni giorno lungo la costa e raggiungere Cancun da Miami“. Un test da fare.  Come strategia di marketing si punta sul noleggio “a partire da 5300 euro a notte per far comprendere al cliente tutte le potenzialità della barca/casa”. In questa visione mobile si fa concorrenza agli eco resort, quelli ad esempio delle Maldive e Bora-Bora, che non si possono spostare: “Generiamo l’ elettricità e l’acqua, compattiamo la spazzatura … È elettrica, non interferisce nella vita marina. E se si avvicina una tempesta, il proprietario può portarla in un’area protetta”. La sfida però è trovare soluzioni più popolari, houseboat a costo minore.

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KOEN OLTHUIS OF WATERSTUDIO’S DISCREET VILLA NEW WATER

By Archi Expo

An elegant waterfront residence built around transparency

With its location on a rural plot of land in Westland, the Netherlands, the Villa New Water’s construction came with a strict set of regulations. The home was allowed only a limited volume above ground level, so Koen Olthuis of Dutch architecture firm Waterstudio worked with the regulations to create a low profile residence that complements and absorbs its surroundings.

By creating a second level below ground, the architects were able to create extra surface area without building vertically. One of the principal challenges thus became getting light into the lower level. The home is built around the idea of transparency, both inside and out.

Free from doors and partitions, the interior spaces flow into one another. The ground level houses the living area, including a centerpiece kitchen, while below ground is the master bedroom, children’s room, wellness area and lounge. All of the furniture was equally designed by Koen Olthuis.

Semi-closed outside spaces act as a continuation of the both interior and exterior, bridging the gap between inside and out. The inside leads to patios that give way to the green slope leading to the water.

The exterior is equally transparent. A white corian structure creates the framework for large portions of glass facade that take full advantage of daylight and the views. Semi-transparent wood panels alternate with the opaque corian and transparent glass.

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