Skip to content
Architecture, urban planning and research in, on and next to water
+31 70 39 44 234     info@waterstudio.nl

La torre acquatica che ospita la biodiversità

By Giulia Mattioli
La Stampa
October.2014

 

Sea Tree. Un progetto innovativo per preservare la flora e la fauna selvatiche sfruttando le grandi aree marine e lacustri

Navigare sul sito web di Waterstudioè un notevole viaggio della mente: i loro progetti architettonici, alcuni davvero visionari, si legano indissolubilmente all’elemento acquatico. Case galleggianti, palazzi sottomarini, strutture che funzionano dentro e fuori dall’acqua: se lo scenario del film ‘Waterworld’ si realizzasse veramente, loro saprebbero come adattarvisi. Il confine tra terra e mareper Waterstudio non è un limite, ma una nuova frontiera da esplorare, anche in coscienza del cambiamento climatico e dell’espansione degli agglomerati urbani.

Tra i progetti più audaci e affascinanti dello studio di architettura olandese c’è Sea Tree®, una sorta di palazzo galleggiante che svetta sull’acqua, adibito a giardino dove trovano ospitalità diverse specie animali. Non è un progetto per gli umani, ma per la flora e la fauna costantemente minacciati dall’espansione urbanistica, i cui habitat vengono ristretti e alterati di anno in anno in favore delle necessità della modernizzazione. Conservare la fauna selvatica di ogni territorio è fondamentale, ma l’espansione delle città non ne tiene particolarmente conto, ed ecco che i laghi, i fiumi, i mari potrebbero diventare il luogo dove preservare uccelli, insetti, pipistrelli e piccoli mammiferi.

Sea Tree è un grattacielo di biodiversità, che si può collocare benissimo accanto ad un’area urbana, ma nei suoi bacini idrici, in modo da rimanere isolato e protetto dall’avanzata del cemento. Si tratta di una struttura in acciaio, galleggiante, composta di strati di vegetazione, giardini verticali che provvedono alla sussistenza delle specie animali, che includono dei piani sommersi per piccole creaturine acquatiche e, se la latitudine lo permette, per barriere coralline artificiali, habitat a loro volta per centinaia di esseri viventi. Naturalmente in base alla posizione, alla profondità delle acque, alle mareggiate, alle correnti, alle temperature ogni Sea Tree avrebbe altezze e caratteristiche differenti.

Dal punto di vista della tecnica, Sea Tree si basa su una progettazione molto simile a quella delle piattaforme petrolifere offshore, e proprio alle grandi compagnie si rivolgono i membri di Waterstudio per caldeggiare la realizzazione di un ‘condominio’ marittimo per animali. Oltre alle loro torri di stoccaggio e le loro piattaforme, perché non donare alla natura e alla comunità un Sea Tree, fosse anche solo per dimostrare un po’ di buona volontà nel rendere il mondo che tanto sfruttano un posto migliore? Un progetto forse visionario ma assolutamente innovativo per far luce sulla necessità di proteggere la flora e la fauna selvatica di ogni angolo del Pianeta dove vi sia sufficiente acqua per realizzarlo. E considerata la grande esperienza che ingegneri, architetti, tecnici olandesi hanno nel confrontarsi con l’acqua e con i territori dove terra e mare si fondono, a cui si aggiunge il fatto che le torri per lo stoccaggio del petrolio in mare già esistono, i progettisti di Sea Tree hanno ‘semplicemente’ adattato, modificato le tecnologie già esistenti per fare un favore alla natura.

 

Click here for the website

Click here for the pdf

Architects Envision The Future Of Nature Preservation, And It’s Beautiful

By Katherine Brooks
Huffington Post
September.18.2014

 

“The waterfront no longer places a limitation on city expansion, in fact it is the new frontier!”

So begins the description for “Sea Tree,” a futuristic nature reserve imagined by Netherlands-based architecture firm, Waterstudio. The wild design, still in the rendering phase, would bring floating steel structures to the shores of urban centers. And inside those steel towers, would be vegetated layers of habitable space, meant for both flora and fauna to flourish in spaces where land and wildlife is scarce.

According to Waterstudio, Sea Tree would be built using the “latest offshore technology,” similar to that used in building oil storage towers in the open ocean. But instead of housing oil, the towers would play home to plant and animal species, working to reduce CO2 emissions along the way.

“Large oil companies will have the opportunity to give back by using their own intellectual property and resources to donate Sea Trees to a community in need,” Waterstudio wrote in a statement to HuffPost, “showing their concern and interest in preserving the distressed wildlife.” It’s a utopian endeavor, sure, but it offers already over-populated metropolises a chance to conserve wildlife within city limits.

The design, inspired by a project in Holland in which ecologists asked the firm to design a green oasis that could not be disturbed by humans, is meant for any waterfront, from riverbanks to sea shores. The height and depth of the structures would be custom constructed according to their specific locations, and would be anchored to the seabed with cables. The birds, bees, bats, and other small animals seeking refuge on a Sea Tree would be left untouched by humans, as would the plant life.

“Most of the innovation on land has been done already,” Koen Olthuis, Waterstudio lead designer and co-founder, explained to The Creator’s Project. “The truly innovative possibilities are found on water… The idea is that we cover the tower with fertile soil and then simply take our hands off of it and let nature do its thing. That’s the exciting part: to see what kind of effect such a green enclave will have.”

When asked when we could expect Sea Tree to become a reality, Ankie Stam at Waterstudio responded to HuffPost: “We’re now in the process of [finalizing] location (with city councils) and finance (with oil companies), for which we have several options. When this is completed we can start construction.”

Waterstudio sent us a selection of images that show the possibilities of Sea Tree. Let us know your thoughts in the comments. And for other floating architectural feats, check out Cristian Ehrmantraut’s prototype for a floating platform that filters the ocean and absorbs plastic.

 

Click here for the website

Click here for the pdf

The skyscraper NATURE RESERVES: Architects hope to build £790,000 multi-storey habitats above and below water in cities

By Victoria Woollaston
Daily Mail
September.19.2014

 

With green spaces being replaced by building sites and large-scale developments around the world, architects are constantly looking for ways to replace them.
One such concept, devised by a team Dutch-based architects, uses towering structures built with layers of green space in which flora and fauna could live.
Called the Sea Tree, the structures would have space for birds and animals to live above ground, and would be bedded under the sea for fish and coral to inhabit.

‘Urbanisation and climate change put a lot of pressure on available space for nature in city centres,’ explained Waterstudio.
‘New initiatives for adding extra park zones to a city are rare.
‘Yet these kind of additional habitats for birds, bees, bats and other small animals could bring a lot of positive green effects to the environment of a city.’
Waterstudio’s concept is called the Sea Tree and it was designed to add high density, green spots to towns and cities.
According to designs, it would be a floating structure built using layers where animals and birds can live.
The structures would not accessible by man, and would be built using offshore technology and resources, similar to how oil storage towers are built and powered out at sea.
The idea is that large oil companies would donate a Sea Tree, and the trees could be built on rivers, seas, lakes and harbours.
The height and depth of the Sea Tree could also be adjusted depending on where it was placed.
To hold it in place, Waterstudio claims Sea Trees would be moored to the sea bed with a cable system.
Under the water, the Sea Tree would provide a habitat for small water creatures or, if the climate allowed for it, artificial coral reefs.
As well as providing a home for nature, the green structures could help reduce CO2 emissions produced by cities and towns.
‘The beauty of the design is that it provides a solution, and at the same time does not cost expensive space on land.
‘While the effect of the species living in the Sea Tree will affect a zone of several miles around the moored location.
‘For as we know, this floating tower will be the first floating object 100 per cent built and designed for flora and fauna.’
The firm said inspiration came from a project in Holland where ecologists asked them to provide habitats for animals which couldn’t be disturbed by people.
The cost for the Sea Tree design is estimated at €1 million (£786,100), and this would depend on water depth, mooring facilities and transport from construction site to the chosen city.
Further cost differences would depend on the preferred flora and fauna.
Waterstudio said it is in the process of finalising the location of the trees, and discussing costs with oil companies. Once these are complete, they will start construction.

Click here for the website

Click here for the pdf

De Sea Tree is een stap naar de drijvende toekomst van de natuur in de stad

Joost Mollen
The creatorsproject
September.2014

 

Voor de mensen die het niet weten: een kamer vinden in Amsterdam is een ramp. De steden hebben nou eenmaal een ruimteprobleem en Amsterdam komt bijvoorbeeld al 15.000 huizen tekort. Maar niet alleen mensen lopen tegen dit woningtekort aan, ook planten en dieren hebben het zwaar. Urbanisatie en klimaatverandering leggen een druk op de beschikbare ruimte voor parken en natuur in stedelijke gebieden. Terwijl er al jaren hard wordt gewerkt aan het vergroten van het aantal woningen in de stad, zijn er helaas maar weinig projecten om nieuwe groene zones te creëren in steden. En dat terwijl parken vet relaxt zijn.

De ultieme oplossing voor dit probleem ligt, wat Waterstudio betreft, op het water. Het Nederlandse architectenbureau is gespecialiseerd in drijvende architectuur en ontwierp eerder al het drijvende ijshotel in Noorwegen en deze superstrakke drijvende villa. Nu wil Waterstudio een heus ‘flatgebouw’ op het water gaan bouwen die speciaal is ontwerpen voor dieren en planten in stedelijke omgevingen. Genaamd de Sea Tree, zal het de eerste drijvende constructie worden die een boost moet geven aan de ecologische systemen van steden. Chillen bovenop de Sea Tree is een no-go want de constructie is afgesloten voor mensen. Maar dat is geen ramp: alleen al kijken naar de ecotoren is genoeg. Hoofdontwerper en medeoprichter van Waterstudio Koen Olthuis nam de tijd om ons meer te vertellen over het project en wanneer we het groene flatgebouw ook in Nederland kunnen verwachten.

The Creators Project: Vertel,  waar komt jullie fascinatie met water vandaan?
Koen Olthuis
: Op het land had je alle innovatie al. Je deed als architect wat kleurtjes op de muur en stak het gebouw in een leuk vormpje en daar hield het op. Op het water lagen alle mogelijkheden. We zijn ons toen als eerste architectenbureau 100 procent op het water gaan focussen. Na een tijdje dachten we: dit moet niet alleen bij drijvende woningen blijven. We zijn toen gaan onderzoeken hoe steden door middel van drijvende concepten verbeterd kunnen worden. Nu zijn we bijvoorbeeld bezig met drijvende parkeerplaatsen, drijvende stadions en natuurlijk de Sea Tree, een constructie die een enorm positief effect zal hebben op de ecologie van een stad. We bouwen zonder ‘littekens’ omdat je al onze concepten zo weer weg kan varen. We lenen ruimte van de natuur en laten het weer achter zoals het daarvoor was.

Hoe is het concept voor de Sea Tree tot stand gekomen?
We werden door ecologen gevraagd om een plek te ontwerpen waar de natuur niet verstoord kon worden door mensen. We hebben toen op basis van technologie die door oliemaatschappijen wordt gebruikt een concept gemaakt waarin we de parken van een stad als het ware in de vorm van een boom op elkaar stapelen. Je kunt de Sea Tree het beste vergelijken met die Red Bull-autootjes die overal rondrijden. Dat is rijdende reclame. De Sea Tree is eigenlijk hetzelfde: het is een hele grote en drijvende groene advertentie voor de stad en de techniek van de oliebedrijven, één die laat zien dat het ook een positief effect kan hebben op de natuur en de stad. Het oliebedrijf behoudt het eigendom van de Sea Tree en de stad wijst een plek aan waar die mag drijven.

Hoe reageren de oliemaatschappijen en steden op het concept? Gaat de Sea Tree ook echt gebouwd worden?
De locatie in steden is geen probleem. We zijn bijvoorbeeld al in Singapore en New York geweest en daar was iedereen super enthousiast. Daarnaast bestaat de technologie ook al. Het punt is dat de bouw van zo’n ding nu al snel één a twee miljoen euro kost en voor dat geld hebben we oliemaatschappijen nodig die mee willen doen. Bij dat soort bedrijven heb je twee soorten partijen werken. Aan de ene kant heb je de mensen van de techniek die het helemaal geweldig vinden. Aan de andere kant heb je de mensen die gaan over de budgeten en advertisement en precies moeten weten wat de positieve en negatieve kanten voor zo’n onderneming zijn. Maar het is heel lastig in te schatten wat voor een effect de Sea Tree gaat hebben. Daar werken we nu aan. Toch zijn we heel positief en denken we dat alles binnen een jaar tijd geregeld kan zijn. Daarna duurt de bouwtijd maar vier tot zes maanden. Het is niets anders dan een drijvende betonconstructie waarop we de natuur haar gang laten gaan.

Als de Sea Tree er ook echt komt, hoe komt het er dan precies uit te zien? Kunnen we hem ook in Nederland verwachten?
De natuur is enorm veerkrachtig. Het idee is dat we de toren bedekken met voedzame aarde en dan de natuur haar gang laten gaan. We trekken onze handen er af en laten de natuur de Sea Tree zelf begroeien en bevolken. We zien dan wel wat voor een effect het gaat hebben. Het zou bijvoorbeeld de dalende bijenpopulatie een huis kunnen bieden, of een plek kunnen bieden voor vogels waarvoor nu geen ruimte is in de stad. De enige twee dingen die ons tegenhouden om dit bijvoorbeeld in Amsterdam te bouwen zijn in principe alleen de vergunning en het geld.

De Sea Tree is afgesloten voor mensen. Wat hebben we er precies aan behalve het ecologisch voordeel?
Ik kan me voorstellen dat als je in zo’n stad woont het enorm leuk is om naar het bouwwerk te kijken of er omheen te varen, je kunt er alleen niet zelf op gaan. Van een afstand denk je wooooww wat een enorme toren, terwijl het met een hoogte van 35 meter in de stad niet eens zo heel hoog zou zijn. Maar drijvend op het water ziet het er juist heel indrukwekkend uit. Het moet alleen geen geintje worden, zoals die enorme badeend die de wereld over ging. Wij willen ook echt een effect hebben.

U bent heel erg bezig om een plek te vinden voor het ecosysteem van de natuur in de stad. Wat denkt u dat een concept zoals de Sea Tree zegt over de richting waarin de mens de natuur stuurt? Is de Sea Tree een oplossing om de natuur een plaats te bieden in een snel urbaniserende wereld?
Nou oplossing, nee, daarvoor is het effect te klein. Als je werkelijk wilt dat de Sea Tree een effect heeft dan moet je er niet één maar gelijk dertig of veertig neerzetten, zoals we in New York bekeken hebben. Maar het geeft wel een hele duidelijke richting waar we naar toe moeten. Op de lange termijn zie ik niet voor me dat de hele wereld straks vol ligt met Sea Tree’s, absoluut niet, maar het zet mensen wel aan het denken over de mogelijkheden van de natuur op het water, zoals grote drijvende parken of drijvende akkers. De Sea Tree is een symbool voor de eerste stap in die richting. Het is als een enorm groen billboard dat naast een goede boodschap ook nog eens een daadwerkelijk effect op de natuur heeft. Dat is natuurlijk prachtig.

 

 

Click here for the source website

Click here for the pdf

Water Architecture: A chat with Waterstudio and Koen Olthuis

By Enrique Sánchez-Rivera
La Isla

We were intensely captivated by Waterstudio after seeing them featured on National Geographic Magazine. Their incredible innovation skills and clear understanding about the future of architecture and our planet was obvious and ever so present in all of their plans and their current work. From a partially submersed ecological tower to floating islands in the shape of stars, Koen Olthuis and his team are shaping up the future for a post-antarctic ice meltdown era.

1.  Can you tell us how Waterstudio got started and why?
When I was a young architect, I became fascinated by the structure of the Dutch landscape with its water and land. At that time, living on water was still limited to the well-known traditional houseboats. After two years of combined land and water projects, I started up Waterstudio, the first architecture firm in the world exclusively dedicated to living on water. I was a pioneer in a new market. To bring the market to maturity, the main focus
was to change the perception of the general public. Waterstudio began with an ambitious plan to develop innovative concepts in both technological and urban design fields. My conviction that living on water is essentially no different from living on land, just with a different foundation technique, spurred me on to develop types of housing with greater density and higher quality than the usual houseboats in a recreational countryside setting.
2.  If you could define what you do in a sentence, what would it be?
We bring Architecture beyond the waterfront, creating new floating possibilities for growing cities World wide. And to add a second sentence: we have a lot of fun!
3.  Where do you find inspiration for your designs?  Floating structures and underwater urban environments are incredibly new to us so we are curious to know this.
I see architecture as products, since floating buildings are not fixed, their context can change and they are more or less independent from their environment.
May of our ideas are based on shapes and products from nature. I like architecure that looks simple and recognizable. So for instance the starfish design for the greenstar hotel in the Maldives is a design that every child can redraw ones they have seen it. I call this readable architecture.
4.  How expensive do you think it will be to live on a floating structure vs. a land structure?
The price of a building on a floating foundation is comparable to a house on a fixed foundation, the exact price depends on the type of water, deep, shallow, waves, calm water etc.. , Making a floating building for calm water on a lake with less height difference is cheaper to construct than a building in the middle of the ocean.
One of the benefits of construction a floating building is that they don’t have to be constructed on their final location because you can move them afterwards. They can be constructed in a factory, weather doesn’t influence the building process, this makes it faster, easier and cheaper. Nowadays contractors are not used to constructing a floating foundation, when this type of foundation will be more standardized in future the construction of it will be even more cheaper.
5.  How did the idea of the sea tree come along?  Can you tell us about it? When will it be completed?
This is my favourite project.Our inspiration in regards to creating Sea Tree came from a project in Holland where ecologists challenged us to design a habitat for fauna which could not be disturbed by human beings. Water is, of course, a perfect way to keep people away. Other sources of inspiration were the shapes of floating oil storage structures in Norway and the shapes of land trees with a large crowns. Lastly, the concept was developed from park zones in urban areas. We divided these areas into sections and placed them vertically on top of each other. In the end, it has become a vertical hangout for wildlife! We are now in the middle of negotiations with an oil company to see if they will be the sponsor for the project. It will be a green advertisement of their outstanding offshore technology. They could show that from their knowledge also animals and local habitats could benefit.  The sea tree will be built in an protected nursery and afterwards shipped out to its location on water in a city. This would bring an instant green upgrade!
6.  Do you see yourselves also designing underwater environments at some point?  Does that concept also align with your vision?
We already do this. We have a client in Curacao who wants an underwater room. So for him we design a projects in which we have windows under water. In that project we also design the shape of the floating body underwater so that coral and fishes can start use this structures for shelter and basis.
7.  Obviously we like the idea of floating-everything, after all, we make bikinis!  Which of your buildings or projects do you think would be best suited for a bikini fashion show?!
That should be our floating islands for the Maldives called Amillarah.  The girls will enter the show via a small submarine through a hole in the ground of the island and then use the fantastic white artificial beach with real sand and palmtree as a catwalk while the audience gather around the islands  on their yachts.

 

Click here for the website

Click here for the pdf

Water Architect Koen Olthuis on How to Embrace Rising Sea Levels

Inhabitat, Bridgette Meinhold, July 2014

Sea levels are rising, floods are prevalent, and cities are at greater risk than ever due to climate change. Now that we’ve accepted these facts, it’s time to design and build more resilient structures. Koen Olthuis, one of the most forward-thinking and innovative architects out there, has a solution for rising sea levels. His solution: Embrace the water by incorporating it into our cities; creating resilient buildings and infrastructure that can handle extreme flooding, heavy rains, and higher water. Olthuis and his team at Waterstudio.nl have been showing coastal communities the benefits of building on the water. With countries like the Maldives and Kiribati having to build oceanside or move in order to escape rising sea levels, New York learning to battle storm surges, and Jakarta dealing with massive flooding, embracing water may be our only option for survival. We chatted with Olthuis about how coastal cities can become more resilient in the face of change—read on for our interview!

Despite his busy travel schedule, Olthuis had a chance to answer our questions with a great amount of detail and thought. Not only is Olthuis a leader in designing floating architecture, he’s the most-interviewed architect on Inhabitat. We think very highly of his work and ideas, and we think you’ll agree after reading through his thoughtful answers about the pressing issue of climate change. Don’t worry, it’s not all gloom and doom though—Olthuis proposes a future full of hope and promise!

Inhabitat: What does climate change mean for cities on the coast, and how serious is a sea level rise of 1 meter?

Koen: I think that climate change is a serious problem for these cities because most of them have been built upon the wrong parameters. For centuries, sea levels and climate have been relatively stable, which has brought us urban plans and built environments that are too static—like a one-trick pony for one certain set of conditions. With the arrival of uncertainty in , we have to rethink our coastal cities.

The threat that climate change brings is not just the physical threat of floods and drowning, but also the financial impact of destroyed property and businesses. Through the last century, waterfront development has increased in value as well as assets. Flood threats will put pressure on available dry space and reset the parameters for which parts of a city are desirable, and which are dangerous.

The effect of a one-meter sea level rise (without any adjustment to coastal cities as they stand today) would completely reset maps and financial stability in many of the world’s biggest waterfronts. New York, Miami, and Guangzhou would lose an important part of their real estate to the water. Countries like Bangladesh and the Philippines would have to give up lots of land. In the Netherlands, many of the water defense systems that protect the country under sea level will no longer be safe.

The question of how serious a one-meter sea level rise would be cannot be answered without placing this question in a certain timeframe. Although cities may appear static, they’re in constant change. The lifespan of urban components like infrastructure, normal buildings, and water defense measurements isn’t more than 50-100 years. This means that if the change occurs within the next 50-100 years, cities have time to grow into components designed upon the new parameters. If the rise occurs faster, cities won’t have time to adapt naturally and problems will occur. The problem is that because sea level rise is quite slow, governments find it hard to deal with a long timeframe when short-term strategies will lead to immediate benefits.

Inhabitat: What do coastal cities need to be thinking about and planning for in order to prepare for the inundation of water?

Koen: First, they have to design plans with flexibility—not solely for today’s conditions. Second, they might be better off embracing the water instead of fighting it, seeing urban water as a chance to upgrade our cities rather than a side effect.

I think that a resilient city isn’t one that prepares for the water to come, but one that allows it to expand. By letting in water and making it part of the city, rising levels or storm conditions will only mean working with a bit more water instead of the big shock that comes when conditions go from dry to flooded.

Regarding planning, coastal cities should focus on which areas should be kept absolutely dry, which can be changed from dry to wet, and which existing waters can be used for expansion. The future of resilient coastal cities is on the water, and metropolises like London, Miami, Tokyo, and Jakarta will expand their territory by 5 to 10 percent on urban waters in the next 25 years.

Inhabitat: Can you give us examples of any cities making promising strides to become more resilient?

Koen: Many are slowly taking defensive measures to become more resilient, but there is one that seems to use a highly innovative path: Jakarta. This capital of 10 million is suffering not only from climate change, but also from urbanization. The soil is sinking at a speed of 15 centimeters per year, which raises flood risks and effects, and it’s getting polluted with saltwater, which has a huge effect on fresh water reserves. Instead of building only higher water defense systems like dikes, which wouldn’t solve the saltwater problem, they’ve chosen to embrace more innovative solutions provided by Dutch engineers and urban planners. The solution focuses on closing Jakarta bay with a dike, turning it into one big 100 km2 wet polder; a size needed to provide enough storage area for extreme weather conditions.

On this dam, a city of a million people will be built facing the old waterfront of Jakarta on one side and the ocean on the other. For architects focusing on floating architecture, this kind of artificial large-scale wet polder provides a big opportunity: in order to keep the storage as big as 100 km2 you cannot build in the water, but floating structures have no effect on storage capacity. Jakarta can become one of the most resilient coastal cities of Asia and still make money from these measures—fighting water with water by adding the storage polder.

Inhabitat: If you were put in charge of making, say New York City, resilient to flooding and climate change, what strategies would you implement?

Koen: New York is one of the most iconic cities in the world, and Manhattan is the benchmark for high-density urban developments, but this city has also evolved to accommodate the surge for space. The enormous land expansion over the river beginning in the 17th century provided the city with new space. The elevator facilitated building into the air, and the metro system took advantage of space beneath the city. Without any of these innovations, Manhattan would look completely different. The lesson here is that standing still doesn’t always benefit cities, and innovations (daunting though they may appear) can bring new prosperity.

The biggest problem that New York will have to face isn’t a steady one-meter sea level rise—because that can be overcome with a meter-high levee—but the effects of extreme weather. Storm conditions like Hurricane Sandy will raise water a few meters and yield heavy rainfall that cannot be transported to the river, since the river itself will rise to record levels. To keep the subway system dry in normal conditions, huge amounts of water have to be pumped out; any additional water could make the system flood.

New Yorkers haven’t embraced the waterfront as much other coastal cities. The view inside is more important than outside and the most valuable real estate can be found around Central Park. [There are] no nice boulevards like in the south of France; nice beaches or green habitats can be found at their manmade border between land and water.

Having said this, I would bring the strategy of fighting water with water to New York and start wetting up the city. If we raise the level of the water ourselves by a few meters, it won’t be any problem when nature does it. To raise the level of the river and still use it as such is impossible, but there’s another Dutch solution that could work. In Holland, existing polders are surrounded by artificial canals. The water in these canals is a few meters higher than the polder waters. They aren’t dug into the landscape, but put on top of the landscape with a dike on both sides to keep the water in. Water from the polder is pumped into the canal and then transported to the rivers or the sea. The canals can be artificially controlled, providing a kind of buffer, and can also be used for transport, and waterside houses. I’d like to create a necklace of small, connected artificial lakes around Manhattan; a system much like an extra canal with a higher water level than the surrounding rivers. This canal would be divided into sections that could be closed separately.

This new zone will take the place of the existing harbor quay—the river width wouldn’t be affected, but the result would be like a set of airbags around the city. In case of high tide, these cells would serve as storage polders that could release water when the storm had passed. These cells would change the edge of Manhattan: the water cells would look like small lakes, and new settlements could be built on the levees dividing them from the river. These lakes would all be connected, and they’d only be closed off from each other during storm conditions, like compartments in large cruise ships.

The artificial lakes would fill the space now used by the river docks, and have a flexible water level that would provide an enormous storage zone, providing safety encroaching seawater. As I imagine, there would be as many as 40-50 of these lakes, each as long as 4-6 blocks. Lakes for leisure, for green floating communities, lakes with harbors—the greener the better.

Inhabitat: With countries like the Maldives and Kiribati losing their land to rising sea levels, how do they respond and provide for their citizens? Buy property elsewhere or construct floating cities? Are there estimates on how much it would cost to construct floating countries?

Koen: The Maldives and Kiribati are both series of small islands in the middle of the ocean, which will be highly affected by any sea level rise. Without enough dry land available, these countries have to make the choice to become climate refugees or adopt floating technologies and become climate innovators.

In the Maldives, Waterstudio has designed floating island resorts and a golf course for developer Dutch Docklands. They are building a joint venture with the government of the Maldives, both as a tool to increase new possibilities for tourism, and to reinforce society with long-term floating developments. Floating islands with high-density affordable housing could be added to the existing islands to provide space and safety. Floating developments are scar-less and mustn’t have any impact on marine environment during or after their lifespan.

This could lead to floating countries, keeping in mind that the Maldives has 300,000 inhabitants. The cost of these floating islands is comparable with dredging islands, only that dredging destroys sea life and coral reefs. If I must make a reasonable guess I would say around $25,000 per person,  so for a city of 20,000 people it would cost 500 million dollars. This might sound like a lot, but it’s quite reasonable compared to evacuating a nation.

Inhabitat: How has your work changed over the years in response to the pressing needs of climate change?

Koen: The possibility of improving coastal cities worldwide with the implementation of floating urban components is just so challenging. It feels like we have only just discovered a small part of the potential that water could bring in making cities more resilient, safe, and flexible. I believe that projects like these will set new benchmarks for cities that would otherwise be in trouble because of climate change.

Our research seeks to change perception and dogmatic rules that traditional planners from the static era have put on us. I think that just in the last two years, iconic designs like the floating cruise terminal have developed an extra dimension—they’re part of a bigger vision that looks beyond iconic architecture to the economical impact it could bring.

My work has gone from designing for rich individuals to designing for the poor. We now design strategies for cities that have to adjust their planning approach because of shifting conditions due to climate change. The focus on slums has opened a whole new window of opportunity and has brought me in contact with many people who believe architects must use their influence and creativity to make a change for millions instead of only the happy few.

Inhabitat: Tell us briefly about your latest project, City Apps, and how it can help cities deal with climate change.

Koen: Miami and New York are the cities most threatened by sea level rise in terms of exposed real estate, but the populations most threatened by sea level rise  would be in Mumbai, Dhaka, and Calcutta. In these cities, millions live in dense slums close to water. In fact, one billion people worldwide are living in slums, and half of them can be classified as wet slums because of their relation to the water. People living in these areas are terribly vulnerable to flood danger. Efforts to help these cities should not focus on protecting the built environment, but on protecting essential functions during and immediately after floods. Slums can be helped by upgrading programs to improve life conditions for 100 million people before 2020, as stated in the 2003 UN habitat millennium goal.

Programs in wet slums are not generally upgraded, because investing in them is a risky business, as floods could potentially destroy any functions built in areas close to the water. We want to use our technical knowledge to provide floating functions on water for these wet slums.

Just as you can download apps on your smartphone according to your changing needs, you can adjust functionality in a slum by adding functions with City Apps. These are floating developments based on standard sea-freight containers, and because of their flexibility and small size, they are suitable for installing and upgrading sanitation, housing, and communication.

Inhabitat: What advances in technology, design, or materials have helped push your architecture forward?

Koen: In Holland, we have always been close to maritime technology. It is very exciting to take these technologies that are meant for things like offshore oil industries and use them to create a floating habitat for animals, birds and underwater creatures like the Sea Tree does.

I think the Internet and 3D visualization tools have really pushed my architecture forward because in an industry as young as floating architecture, it is only the power of visualization that can show the impact of floating developments for the city of tomorrow. The fact that we can spread our ideas around the world and get feedback, response, and help because of the digital revolution is unbelievable. If I would have started twenty years ago I probably wouldn’t have reached more than half of Holland, and Holland isn’t that big.

My designs are what we call “readable architecture”—product-like solutions that ask for simple and clear details. Not every material is suitable for that, and over the last three years we discovered sustainable composites that suit the architectural expression I want, and are ideal for projects in salty environments that require low maintenance.

But the most important advantage in technology is logistics. The fact that we now can produce our floating houses and developments in different countries and assemble them on the water without affecting the environment makes it possible for us to rethink economical models for large-scale production.

Inhabitat: What are you most excited about right now in this field?

Koen: I am most excited about how global mobile assets will enable cities in developing countries to leapfrog to higher prosperity. These assets are large-scale floating developments that are being invested in by very rich countries like Qatar, Saudi Arabia, or Norway. These countries have so much money to invest that they cannot spend it all in their own country. Instead of investing only in wealthy world capitals, they’ll invest in flexible real estate, which can be leased to coastal cities.

It’ll start with functions like floating hotels and stadiums for cities that want to organize the Olympic Games but who cannot afford the investment. But it will rapidly evolve into an industry where cities that have been hit by climate change-related disasters can lease an entire set of functions like energy plants, hospitals, schools, and sanitation. Just like we do with our Floating City Apps for wet slums, there will be large-scale solutions to instantly upgrade cities and help communities recover. I see floating harbors and even small floating airports that’ll provide instant infrastructure to cities recovering from natural disasters.

The enormous financial capacity of these countries enables them to build global mobile assets up front on stock. So, imagine a safe floating location somewhere in Asia composed of completely functional urban components ready to be towed to any disaster area that appears. All the technology and money is already available—it’s only a matter of changing perception before floating developments are an essential part of the climate change reality that’s waiting for us. I say that not as a negative sentiment, because I believe that change will lead to innovation that will bring prosperity. The future is wet, the future is good!

Click here for the website

How Can We Waterproof Our Future

Inhabitat, Yuka Yoneda, Feb 2014

When the movie Waterworld premiered in 1995, people regarded the Kevin Costner flick as a fairly ridiculous post-apocalyptic science fiction film: Now, nearly two decades later, the tale’s premise of a world where nearly all land is submerged beneath the seas seems more like a prediction of what’s to come than a figment of a screenwriter’s imagination. With polar ice caps melting rapidly, the clear and present threat of rising tides is no longer something that can be pushed aside. According to current scientific estimates, the earth’s temperature will increase at least 4-5 °C by the end of this century, leading to a sea level rise of approximately 2-7 feet or more by 2100, which will submerge significant portions of many of the world’s major metropolitan areas, including New York, London, Shanghai and Mumbai. Since we’re facing some pretty catastrophic changes, some of the world’s best minds are working on solutions to prevent, or at the very least, minimize, the land loss and human habitat destruction that lies ahead. But between dams, water barriers and floating cities, it’s easy to get lost in the “flood” of different options for dealing with rising sea-levels. Bettery Magazine recently broke down our current situation and the various types of approaches which are being tried all around the world to deal with rising waters. Read Bettery’s full report for a better understanding of how we can waterproof our future.

Click here to read the article

Click here for the website

Dutch firm says giant floating platforms could ease urban crowding

South China Morning Post,Jamie Carter, November 2013

There has been much debate on where land can be found to house a growing population in Hong Kong. For communities elsewhere, the need is even more pressing.

With global population density increasing and sea levels expected to rise by as much as 30cm by 2050, many coastal habitats will come under intense pressure. And the answer could be right on the horizon.

“In major cities there’s already a lack of space and the next logical step is to make use of water,” says Koen Olthuis, founder of Netherlands-based Waterstudio.nl and architect of multiple maritime projects.

“It’s just evolution – the elevator made vertical cities of skyscrapers possible, and water is the next step for letting cities grow and become more dense.”

More than two-thirds of the Netherlands is prone to flooding, and much of it is below sea-level, which gives its architects and engineers an unusual perspective on man’s relationship to water. While he stops short of proposing giant cities at sea, Olthuis thinks the definition of a city should be changing constantly.

Waterstudio.NL’s City Apps project tackles urban density and climate change. It was inspired by Olthuis’ belief that cities should be more flexible, and approached as a product.

“Smartphones all look the same but they are not, they are personalised with different apps,” he says. “We looked at cities and saw they have their own problems, and our floating City Apps simply add to the hardware of a city.”

Waterstudio’s first project is for the watery Korail slums of Dhaka, Bangladesh, where 70,000 people struggle to survive. Its solution – a small floating platform housing a school with 20 iPads fixed to the walls, intended to be used as an internet hub at night – has mostly been built in the Netherlands.

“In slums there are no rules – if you build a house it can be destroyed in a few months by the government rethinking that area, but if that happens then City Apps can be moved,” says Olthuis. “We’ve put the floating platform in Dhaka. We need 14,000 plastic PET bottles to keep one City App floating, so we got the local people to collect the bottles and paid them four to six cents each.”

The next City App – this time for sanitation – is planned for Bangkok.

A similar project comes from NLE, another Netherlands-based architectural practice, which has been working with the floating community of Makoko, near Lagos in Nigeria.

Around 100,000 people are thought to live here in stilt houses – largely as a result of massive urban sprawl – but the community lacks schools and infrastructure. NLE’s solution is a pyramid-shaped primary floating school built from local bamboo, which is intended as a community hub.

Such socially progressive projects are often spin-offs of lucrative contracts elsewhere. Waterstudio’s Five Lagoons Project, a joint-venture between Dutch Docklands and the government of the Maldives, will see an area of about 740 hectares supplied with luxury floating developments.

“We are going to develop five lagoons with different functions, including a resort, a conference hotel and a floating golf course,” says Olthuis, though the point of the star item – a luxury Ocean Flower resort of 185 villas – isn’t just to tempt tourists.

“By doing this we will learn how to make big green islands, and see how we can then make social housing on the water for local people,” says Olthuis.

His long-term goal is to help the 110,000 people in the Maldives’ capital city Malé, which is barely 1.5 metres above sea level and likely to be submerged in the next 85 years.

“You need this kind of expensive project to fund the future projects to help society,” Olthuis says.

Next up is Miami, where 17 floating developments will be built on a large lake. Floating communities aren’t always a response to rising sea levels in coastal communities. Non-profit organisation the Seasteading Institute wants to initiate an autonomous offshore community that pushes total freedom and encourages innovation and experimentation beyond the reach of governments.

“We’re looking for trailblazers,” says the organisation’s promotional video. “We believe humanity needs a new, blue frontier where we’re all free to explore new ways of living together.”

It claims “seasteaders” would only need the kind of money required to live in a big city. The institute is now attempting to raise money for its Floating City project on crowd-sourcing website Indiegogo, and doing fairly well – though it also needs a “host” country.

There’s a similar issue over at Freedom Ship International, a Florida-based company that is hoping to raise the US$11 billion needed to build the world’s largest vessel.

Designed as a mobile floating platform stretching over 1,600 metres, Freedom Ship – which could set sail renamed as the Global Friend Ship – is designed to host an entire city of up to 100,000.

Just under half that number will reside permanently on the ship, which will make its way slowly around the world’s coastal regions over three years.

As it moves, a fleet of ferries and small aircraft (there’s an airport on the roof) will take residents to shore – as tourists or businesspeople – and bring tourists onboard to visit the 2.7-million-tonne vessel’s casinos, restaurants and businesses. It will have schools, a hospital and a security force.

“It’s the first ever floating city,” says Roger Gooch, director and vice-president of Freedom Ship International, “but it’s too large to go into a port so it will also stay around 15 miles [24 kilometres] offshore in international waters.”

Freedom Ship is designed to let people get away from the normal restrictions of global geography and governments, he says.

There’s a similar reason behind another offshore entity called Blueseed. A purpose-built floating platform registered in the Bahamas but moored in international waters 22 kilometres from the shores of San Francisco, Blueseed is aimed at international entrepreneurs who can’t enter the US (Silicon Valley, in particular) to start companies because of restrictive visa issues.

Offering its occupants – all with a US business or travel visa – daily 30-minute ferry rides to the mainland as well as helicopter trips, Blueseed will begin life next year on a refitted cruise ship, progressing to the custom-built Blueseed Two floating city soon after.

But life at sea isn’t just restricted to land-based humans. Olthuis has a vision of a Sea Tree, a multi-storey floating structure similar to an oil rig that could be placed in rivers, lakes and oceans near densely populated cities.

“Instead of creating green areas in the city, make them on the water,” he says. “When nature starts to colonise a Sea Tree then birds, animals and insects will use it, too.”

Olthuis already has a way to pay for it. “I could see oil companies donating Sea Trees to cities in return for drilling rights,” he says.

A Sea Tree in Victoria Harbour? That really would give Hong Kong a new look.

Click here to read the article

Click here for the website

Back To Top
Search